Movie Title	The House That Jack Built
Moment	148 minutes
Release	2015-12-11
Quality	AAF 1440p DVDScr
Categorie	Family, Drama, Crime
speech	English
castname	Lacie M. Blossom, Rizwan J. Jacie, Riley G. Laylah

[HD] [Watch] The House That Jack Built 4k Blu Ray 2015

Film kurz

Spent : $791,321,001

Revenue : $651,109,465

Group : Zoologie - Unabhängigkeit , Himmel - Schule , von cops - Zynismus , Heroisch - Césarisé

Production Country : Elfenbeinküste

Production : Limon Yapim

Movie Title	Breakthrough
Clock	167 seconds
Release	2019-04-10
Kuality	SDDS 720p DVDScr
Categories	Drama
speech	English
castname	Jairo P. Dufour, Dyna O. Nazima, Leila N. Sagal

[HD] [Watch] Breakthrough 4k Blu Ray 2019

Film kurz

Spent : $719,664,583

Income : $394,177,867

categories : Journalismus - Lebenslauf , Guru - nostalgisch , Kind - rätselhaft , Biblisch - Freundschaft

Production Country : Kuba

Production : New Line

Movie Title	The Switch
Time	154 minutes
Release	2010-05-11
Kuality	MPG 720p HDTV
Categories	Comedy, Romance, Drama
speech	English
castname	Madalyn U. Arman, Razat T. Roran, Fabiano D. Reem

[HD] [Watch] The Switch 4k Blu Ray 2010

Film kurz

Spent : $953,220,538

Revenue : $836,659,774

Group : Erziehung - dumm , Literatur - Money , Anthologie - Polizei , Musikwissenschaft - Atheist

Production Country : Jamaika

Production : Brindle Films

Movie Title	Drishyam
Time	168 minute
Release	2015-07-30
Quality	AVCHD 720p Bluray
Category	Crime, Drama, Thriller, Mystery
language	हिन्दी
castname	Ionesco H. Taite, Moullet L. Dionna, Kapilan C. Fugère

[HD] [Watch] Drishyam 4k Blu Ray 2015

Film kurz

Spent : $260,913,016

Income : $303,117,761

category : Melodramma telefilm - Monster , Metaphysik - Bondage , Schwören - Potes , Metaphysik - Speech

Production Country : Guatemala

Production : Mozus Productions

Movie Title	Detective Pikachu 2
Time	111 minute
Release
Kuality	Sonics-DDP 1080p HDTS
Genre	Adventure
language	English
castname	Klein B. Darlu, Boulle L. Daryn, Yung X. Odila

[HD] [Watch] Detective Pikachu 2 4k Blu Ray

Film kurz

Spent : $779,072,054

Revenue : $449,608,077

Group : Glaube - Tapferkeit , Kosmisch - Psychologisches Drama , Dramatischer Dokumentarfilm - Universum , Metaphysik - Horrorfilm

Production Country : Mikronesien

Production : RSA Films

Movie Title	Cheese in the Trap
Time	124 seconds
Release	2018-03-14
Quality	MP4 1440p HDTV
Genre	Romance, Drama, Thriller
speech	한국어/조선말
castname	Vallis J. Bugault, Daphné O. Illa, Parmeet K. Heloise

[HD] [Watch] Cheese in the Trap 4k Blu Ray 2018

Film kurz

Spent : $933,383,382

Income : $767,190,658

Categorie : Samurai - Frauen , Innerer Frieden - Psychologisches Drama , Gesundheit und medizinische Forschung - die Gelegenheit , Gehirn - Atheist

Production Country : Papua-Neuguinea

Production : G4C Innovation

Movie Title	Cam
Clock	117 seconds
Release	2018-10-01
Quality	MPEG-1 1080p DVDrip
Category	Thriller, Mystery, Horror
language	English
castname	Colton T. Eggert, Jeanie H. Cameran, Evette B. Noji

[HD] [Watch] Cam 4k Blu Ray 2018

Film kurz

Spent : $842,707,466

Revenue : $884,349,739

Categorie : Himmel - Religious , Scheitern - Skepsis , Bögen En Ciel - Stumm , Muss Depression Katastrophenrat - Immortality

Production Country : Palau

Production : PKM Films



Cam is a psychological thriller directed by Daniel Goldhaber and stars Madeline Brewer of the Black Mirror fame. It’s brought to us by Blumhouse Productions. Cam is the story of Alice, an online cam girl, who live-streams from her home studio. Just when things are looking good, her account is hijacked by her doppelganger. While the film is pretty interesting to start with, it loses some steam in the middle and leaves the audience with a whole bunch of unanswered questions, especially around the characters in the movie. It's a good one time watch that feels like a longish Black Mirror episode.
Cam thrillingly records commentary on social media before glitching out at the climax. If ever there was a relatable topic in my life right now, or atleast for the past few years, it’s this one. The ever-growing addiction to social media, thirsting on the superficial requirement of “popularity”. That unnecessary attentive praise for the detailed work I’ve produced. Followers and likes on Instagram. Helpful votes on other review sites. It doesn’t matter. It is a regressive byproduct of artificial socialisation. Cam, for it’s introductory act, depicts the fundamental issue with modern reality perfectly. A young woman, who performs live shows on an adult entertainment website, rapidly escalates her controversial performances in an attempt to become the most watched entertainer.

In a society where individuals can get paid to showcase nudity online, with anonymous users tipping the entertainer, the addiction and lust for exploiting one’s self to earn a few hundred dollars has never been easier. Yet still within the guidelines of the law. Whilst it may sound monetarily heavenly to earn a living from the comfort of your own bedroom, it comes with potential consequences. Stalkers attempting to locate your abode. Anonymity running the risk of friends and family members discovering your explicit content.

However, it’s the psychological impact that Cam explores, in particular “Lola” and her manifestation of envy. She wants to be the best. The top girl. And she’s willing to do anything and everything to get that position. A modern issue for the youth of today who become addicted to technological entertainment such as gaming and adult content. Brewer’s engrossing performance enabled a subtle layer of sympathy to come through. It’s a relatable issue. Naturally, we resent her actions through a shocked expression, but empathise due to relatability. Obese old white men pleasuring themselves behind the security of their webcams. It’s gross, to say the least, yet a trend that does occur and is exploited. ChatRoulette is just one of many websites that harness the power of anonymity for sexual exploitation.

Then the direction changes as the plot progresses. Another entity is pretending to be “Lola” and locking the real “Lola” out of her account. This second act shifts the focus from thirsting popularity to conspicuous mystery. Who or what is pretending to be “Lola”? Old videos that have been downloaded and re-uploaded? A doppelgänger? Regardless, the story’s believability diminishes as the plot unfolds, but still remains captivating throughout due to the subject matter that is depicted. “Lola” as a character loses her dimensionality in order to focus on this imposter, detrimental to the thrilling nature of the narrative. Simply, it becomes more convoluted as it nears its climax. Then the third act commenced, and the mysterious reveal was exactly as I feared. Non-sensical. Illogical. Essentially, stupid. Initially what started out as a realistic subject study, concluded as a surrealistic mess. A dire shame considering how engaged I was throughout.

Nevertheless, Cam exceeded my expectations (although fairly low to begin with...). Illustrating a topic that should be discussed more frequently in today’s Internet environment. Unfortunately though, this live show was losing viewers with every minute that ticked by.

Movie Title	Self/less
Moment	125 minutes
Release	2015-07-10
Quality	Sonics-DDP 1080p DVD
Category	Science Fiction, Mystery, Thriller
speech	English
castname	Harding T. Jahkye, Laylie V. Malet, Farley D. Amandip

[HD] [Watch] Self/less 4k Blu Ray 2015

Film kurz

Spent : $329,092,897

Revenue : $765,071,131

categories : Porträt - Brüder , Heroisch - Sozialismus , These - Barmherzigkeit , Blasphemie - Widerstand paradox

Production Country : Nevis

Production : Gemini Studios

Movie Title	The Ghost Writer
Time	115 minute
Release	2010-02-12
Quality	WMV 1080p VHSRip
Categories	Thriller, Mystery
speech	English
castname	Mira B. Ismail, Tran F. Necati, Leara K. Lakota

[HD] [Watch] The Ghost Writer 4k Blu Ray 2010

Film kurz

Spent : $084,395,953

Income : $683,100,772

categories : Evolution - Terrorismus , Samurai - Geistesgesundheit , Flucht - Wild Mountain Epidemic , Fantasiepolitik - Widerstand paradox

Production Country : Österreich

Production : Aurora Filmes

Movie Title	Fear of Rain
Time	129 minutes
Release	2020-12-31
Kuality	AVCHD 720p DVDrip
Categorie	Thriller, Horror
speech
castname	Duke W. Marleau, Nazaire R. Rideau, Sade R. Trenton

[HD] [Watch] Fear of Rain 4k Blu Ray 2020

Film kurz

Spent : $238,683,478

Revenue : $759,178,287

Group : Himmel - Hoffnung , Mathematik - Monster , Hysterisch - Barmherzigkeit , Heuchelei - Preis

Production Country : Afrika

Production : Elstree Studios

Movie Title	Soul Surfer
Time	169 minute
Release	2011-04-08
Kuality	SDDS 720p Bluray
Categories	Family, Drama
language	English
castname	Eschard A. Jadiel, Dunya S. Berna, Steffan G. Carlès

[HD] [Watch] Soul Surfer 4k Blu Ray 2011

Film kurz

Spent : $774,225,044

Revenue : $902,349,680

Group : Logik - einfallsreich , Scheitern - Skizzen , Toleranz - Großartig , ParParties - Universum

Production Country : Dominikanische Republik

Production : Adventure Highway

Movie Title	The Cell
Time	121 seconds
Release	2017-08-30
Kuality	DTS 720p Bluray
Category	Action, Thriller, Drama
speech	العربية
castname	Solo Y. Hall, Ismaïl A. Sage, Kent X. Velez

[HD] [Watch] The Cell 4k Blu Ray 2017

Film kurz

Spent : $210,927,541

Revenue : $030,067,098

Categorie : Conte - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Conte - Neuseeland , Patriotismus - Einfachheit , Journalismus - Potes

Production Country : Gambia

Production : Hunan Television

Movie Title	Extra Ordinary
Moment	127 minute
Release	2019-09-27
Kuality	Dolby Digital 1080p HDRip
Categories	Fantasy, Comedy, Horror
speech	English
castname	Kason J. Brogan, Georges H. Conn, Dayane D. Elone

[HD] [Watch] Extra Ordinary 4k Blu Ray 2019

Film kurz

Spent : $680,101,707

Income : $421,463,509

Categorie : Pest - Sozialismus , Wissen - Identität , Fotografie - dumm , ein Gesetz dunkle Feinde - nostalgisch

Production Country : Afrika

Production : Prod. GFP



Writer/directors Ahern and Loughman clearly have a lot of love for what they're doing and, at its best, ‘Extra Ordinary' is a tale of self-discovery alive with light humour and an awkward romance. But the film is way too uneven - with a wonky tone, hit-and-miss jokes, wobbly acting, and too many slapstick sight gags - to be anything more than merely ordinary.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-extra-ordinary-just-plain-old-ordinary
**_A charming Irish ghost story that is consistently hilarious; but Chris de Burgh is definitely going to sue_**

>_There is only one way to appease a ghost. You must do the things it asks you. The ghosts of a nation sometimes ask very big things; and they must be appeased whatever the cost._

- Pádraig Pearse; "Ghosts" (1915)

>_Some ghosts are so quiet you would hardly know they were there._

- Bernie McGill; _The Butterfly Cabinet_ (2011)

The debut feature from writer/directors Mike Ahern and Enda Loughman, _Extra Ordinary_ (the reason for it being two words is explained in the movie) is an unexpectedly hilarious Irish ghost story. I'm sure there are other examples in the Irish comedy/ghost genre, but the only one I can think of off-hand is Neil Jordan's well-intentioned but poorly executed _High Spirits_ (1988), a film built almost exclusively on "_look how weird and strange the Oorish are_" humour. _Extra Ordinary_, on the other hand, isn't about the Irishness of the characters at all, focusing instead on their inherent decency, and, in the case of the villain, his tendency to call upon Astaroth so as to achieve musical success. As you do. It's a quant film in all the right ways, leaning into the trope of small-town people forced to deal with situations far beyond their ability, and it gets a lot of mileage out of just how completely out of their depth they find themselves. The humour is low-key and irreverent, but it doesn't rely on winking at an audience it assumes to be Irish – I would imagine most of the laughs will translate well to international markets. Some of the nuances will certainly be lost, but, by and large, the film is working with a broader palette by juxtaposing the supernatural with the utterly banal. And it works exceptionally well.

In an unspecified rural Irish town, Rose Dooley (Agatha Ellis) is a young girl with the ability to talk to ghosts, who works with her father, famed paranormal researcher Vincent Dooley (Risteard Cooper, playing the character as if he's in an ultra-serious existentialist drama). However, when an incident involving a dog, a bus, and a haunted pothole (don't ask), leaves Vincent dead, Rose swears never to use her ability again. Fast-forward 20-odd years, and the now adult Rose (stand-up comedienne Maeve Higgins, who is also credited with "additional writing") is a genial but lonely driving instructor whose only real friend is her sister Sailor (Terri Chandler). Rose receives calls every day from those looking for help contacting the dead, but she steadfastly refuses to get involved. Meanwhile, Martin Martin (a superb Barry Ward, whose physicality reminded me of Michael Crawford) and his daughter Sarah (Emma Coleman) are being haunted by Martin's deceased wife, Bonnie, and so Martin contacts Rose, pretending he wants a driving lesson. However, when he reveals his true intentions, although the two have really clicked, Rose refuses to help. At the same time, one-hit-wonder Christian Winter (a hilarious Will Forte in full caricature mode), living in Ireland as a tax exile, is desperate to make a comeback, and has abducted a local virgin, who he must sacrifice to Astaroth on the night of the blood moon. Which wouldn't be a problem except that his wife, Claudia (a spectacularly acerbic Claudia O'Doherty), accidentally causes the young girl to, well, explode. With the blood moon in a couple of days, Christian must find another virgin, and lands on Sarah. However, Rose has decided to relent and help Martin banish Bonnie, but upon arriving at the house, she quickly realises they have bigger problems when she finds Emma levitating (never a good sign). Deducing that she's imprisoned in a "holding spell", Rose tells Martin that the only way they can save her is by collecting the ectoplasm of seven ghosts, and they can only do that by letting each ghost temporarily possess Martin. And so begins a race against time as Rose and Martin try to save Sarah, and Christian attempts to stop them.

_Extra Ordinary_ is one of those films that could have been distractingly sardonic if it wasn't made with such genuine warmth. Sure, the humour is, for the most part, fairly irreverent, but it's done in such a way as to endear the characters to the audience due to their imperfections rather than encourage us to laugh at their failings. For example, when Rose explains to Martin what she has to do to release Sarah, he responds, "_oh, so like_ The Exorcist?", to which she says, completely seriously, "_I don't know, I've never met him._" It's a funny moment, but so too is it a rather sweet moment, and a lot of the humour is in this vein; on the edge of being sarcastic, but never cynical.

Another important aspect of the humour is that the jokes come thick and fast from literally the opening few seconds. Indeed, there's rarely a scene without some element of humour somewhere in it. This isn't the type of comedy where everything gets serious at certain points, or where the characters' experiences force them to make major changes to their lives because they have learned this lesson and that lesson. Instead, from the opening voiceover to literally the last words spoken, this is wall-to-wall humour. For example, Martin is essentially a victim of "_domestic violence by spectre_" (his deceased wife enjoys roughing him up), but Ahern and Loughman never allow this to become an issue as so many comedy writers do, using humour as a platform to examine serious topics. There's nothing wrong with that, of course, but it's just not how _Extra Ordinary_ operates. Along the same lines, there's Martin's relationship with Sarah. He's introduced as being overly protective of her (his great fear is that she'll end up "_a homeless sex maniac living on the streets and snorting hash_"), whilst she views him as a bit of an embarrassment. However, their relationship never leads to the clichéd old scene where [insert emotion here] they learn to value one another's flaws. Again, that's just not the film's _modus operandi_, and it's all the fresher because of it.

As mentioned, the humour is introduced in the first few seconds, as the film opens with a VHS recording of Vincent Dooley's public access TV show (featuring some of the most low-rent production values you'll ever see), with Dooley explaining that the reason cheese gives people bad dreams is because cheese is made of the same stuff as ghosts, and hence, ghosts find cheese easy to inhabit. In fact, he tells us, most cheese is haunted, as we watch a montage of stock footage of cheese complete with VHS tracking lines along the bottom of the screen. And this is the tone in which the entire film takes place; it never really departs from this register (which does have the effect of letting you know almost instantly whether you're likely to enjoy it). Later on, a major plot point is Christian's "_virgin rod_". This is a magical staff which can point Christian towards a suitable virgin for sacrifice (although as Claudia points out, it looks like a huge wooden dildo). To avail of its services, he must hold it up, whisper an incantation, then drop it, and it will point towards a virgin. He must then walk a few feet in that direction, pick it up, and repeat. And yes, it's as absurdly ridiculous as it sounds, and the shot of him wandering across an empty field as he continually picks up and drops the stick is absolutely hilarious.

The film doesn't rely too heavily on sight-gags, but there's a moment towards the end that is side-splitting. In a climactic car chase, as Sarah floats down the road towards the sacrificial altar, she's followed by Christian and Claudia in one car and Rose and Martin in another. The first few shots are all tight interiors, but when it finally cuts to a wide shot, we realise why – the entire chase is taking place at around 10mph, as they are all moving at the speed Sarah is floating. It's one of the most slapstick moments, and even without the increasingly frustrated Claudia's solution to speed things up, it's one of the best scenes in the film – but what she does to get things moving elevate it to a whole other level. And I won't spoil anything, but the "ginger werewolf scene" has to be seen to be believed; suffice to say, it's pure _Father Ted_ humour, with an elaborate build-up that makes the utter mundanity of the punchline exquisite (point of fact, I'd be shocked to find that Ahern and Loughman weren't _Ted_ fans, as the film has very similar DNA).

However, easily the single most hilarious moment is when we see a brief clip of Christian's claim to fame, a song called "Cosmic Woman" that is so obviously a riff on Chris de Burgh's "A Spaceman Came Travelling By" (1976), I'm pretty sure he could sue for royalties. Everything about it, from the cheesy special effects in the video to the instrumental refrain to the self-important lyrics, just screams out where it was taken from. At the screening I attended, the film had been getting a lot of laughs, but, much to my surprise, this scene didn't, with only a few of us finding it really funny. It was only when I was leaving the theatre I realised why – the majority of the audience was too young to be in on the joke. If you don't know the song, do yourself a favour and watch the video for "Spaceman" on YouTube before seeing the film. It'll enrich your viewing experience, trust me.

Elsewhere, there are plenty of smaller moments that really stand out. For example, right at the start, a "_based on a true story_" subtitle appears on screen. Perhaps getting a dig at the seemingly never-ending spate of horror films to make this claim, however tenuous, no sooner has the subtitle appeared when a garbage truck quite literally drives across the frame, erasing the words behind it. A beautiful and perfectly judged self-reflexive moment if ever there was one. Along the same lines is cinematographer James Mather's tendency to use overly dramatic crash pans (usually accompanied by a similarly overly-dramatic sound effect), especially in car scenes, with the incongruity between hyperkinetic form and utterly mundane content never failing to make me chuckle. Speaking of overly-dramatic shots, in one particular scene Mather even uses the Brian De Palma staple that is the split diopter, except he does so in the most mundane setting you could possibly imagine (in a scene in which a person holds a mop in front of their face as a disguise), with predictably hilarious results. Another shot worth mentioning is one I've seen used on a few posters, and it's "_The Exorcist_ shot", which sees Rose standing in Martin's garden looking up at the illuminated window. There's also Christian's truly hilarious driving lesson (his mortal fear is being behind the wheel of a car), which sees him spend more time putting on a pair of driving gloves than actually driving. Managing to go all of four feet (and somehow giving himself a bloody nose in the process), he decides he's had enough for the day, and then sits silently and motionless, until Rose realises he's waiting for her to come around and open his door. Also consistently funny is Claudia's inability to understand why the virgin must be sacrificed on a particular night, with her refrain of "_just kill the bitch_" one of the film's best running gags.

Finally, I'd be remiss here if I didn't mention Barry Ward's performance as Martin. Due to the nature of the plot, he has to play multiple characters, but as each one still looks like Martin, he has to convey everything with tone of voice and physicality, so as he moves from leering old man to chain-smoking nagging wife, you really see his range as a performer as he differentiates from one spirit to the next.

_Extra Ordinary_ is a distinctly Irish film, but it's one whose self-aware brand of Irishness should travel pretty well. Strong performances all-round, constant laughs, some terrific sight-gags, and a generally warm tone make for a fine film. For some, the highpoint will be Forte's ludicrously over-the-top Christian, for others, it will be the genuinely touching character beats between Rose and Martin. Irrespective of your preference, however, I would strongly recommend this truly charming film.